![]() Re-order notes and choose different repeat modes. Tie steps to each other and accentuate individual ones. The arpeggiator in FM8 is more than a step sequencer – it transforms your MIDI input into rhythmic lines and melodic patterns. You can also randomize your sounds with the Morph Square, producing playful, experimental results. Additionally, all movements can be automated via MIDI or a sequencer allowing you to morph the timbres remotely or according to a song’s structure. All of FM8’s presets have four timbres that were selected to deliver maximum expressive variety. By moving the morph handle you gradually morph one timbre into the other. The Morph Square allows you to morph between four different sounds. The page also gives you a graphical overview of all envelopes and thus the overall amplitude response of the complete sound. You can also create one basic shape for several envelopes, unlink them, and then modify each one separately. This allows envelopes to share the same structure and can be very useful, for example, to synchronize the amplitude progression of two operators. Edit several simultaneously by linking them in one or more groups. Edit one envelope while still being able to see the others at the same time. ![]() It allows operator envelopes to be viewed simultaneously. The Envelope Expert Page offers the same functionality as the Operator Overview Page. Each individual oscillator also has a dedicated page presenting all its parameters and providing you with the opportunity to fine-tune your sound. This offers a very fast and convenient way to set up the basic structure of a sound and customize existing ones. The Operator Overview Page displays all the operators’ most important parameters simultaneously. You can load a template or create your own shapes. The amplitude is shaped by the multi-breakpoint envelope – add and delete breakpoints, set their levels and control their transitions. Several modulation sources or different MIDI values such as aftertouch or mod wheel can be used to modulate the amplitude. ![]() Choose different waveforms, select different ways to adjust the operator’s frequency, control responsiveness to MIDI velocity messages, and set panning and amplitude. It also provides a concise overview of all FM connections, so you don’t have to go from page to page to collect every sound’s parameter data.Įach operator has a detailed editing page where you can adjust all its parameters. ![]() The matrix makes handling frequency modulation parameters simple. The FM8’s matrix allows you to quickly connect any two operators, as well as determine the modulation amounts for all connections. The modulator signal modulates the carrier’s frequency by a specific amount. A minimum of two, known as the modulator and carrier, are always interconnected. ![]() The sonic potential of FM8 goes well beyond the confines of conventional FM synthesis.įrequency modulation is based on the interaction of operators. A unique arpeggiator, a revolutionary sound morphing feature, and a large selection of new, charismatic effects add countless sound-shaping possibilities. The classic crystalline bells and keys are perfect for creating melodic and percussive sounds of the highest quality. FM8 lets you play straight away!įM8 offers an unprecedented range of features and effects. The more detailed editing pages have been improved for easier handling and are all accessible with just one click. The “Easy Edit Page” offers a clearly-designed interface with simple controls that adjust more complex parameters automatically, allowing you to take a far more musical approach to FM synthesis. ![]()
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